Rip Van Winkle as Interesting Character Essay Example for Free

Rip Van Winkle as Interesting Character Essay Discuss how the author makes Rip Van Winkle an interesting character? In â€Å"the story of Rip Van Winkle† written by Washington Irving is about a men named Rip Van Winkle, who is depicted as an interesting man. Rip Van Winkle was known as escaping from the reality and also a happy-go-lucky man. Rip Van Winkle, who lives under his wife’s controlling is a henpecked husband. He is always criticized by his wife for being lazy and for not doing housework, and for not caring about his family at home, in fact, he does but not for his family though. Rip Van Winkle will always be ready to attend to do anybody’s housework but his own; but as to doing family duty, and keeping his own farm in order, he found it’s impossible. He works for other people’s wives and entertains their children, which has gained him universal popularity. In this point, it appears that Rip Van Winkle has a split personality. One day, Rip goes outside of the house with his dog to avoid his wife’s blames. On the way back home, Rip happens to meet a stranger and follows him. There, he drank some miracle wine and slept. He had remained asleep for twenty years. As a result of his 20 year nap, he misses watching his children grow up, his wife dies, and the village changes. He also sleeps through the entire American Revolution. However, the story also suggests that laziness has been rewarded. His wife, who was very critical of his lack of initiative, when he wakes up, is dead, and, therefore, he is freed from her nagging and her constant criticism. He no longer has to run and hide in the woods to find peace in his life. His life, after he wakes up, is better than it was before he fell asleep. When Rip Van Winkle came back to the village and told the villagers his story, everyone believed him, and quickly accepted him. He did not needed to change himself to fit in the society, but still being the same. In fact, he was still very popular in the village after the war. Rip Van Winkle is really a happy-go-lucky man, with weird charisma which makes him always so popular, no matter in the village â€Å"before the war† or after the Independence war in the village. In my point of view Rip Van Winkle is a man with unbelievable luck. During his sleep, he got away from the war and his mean, nagging wife, and when he came back to the village after the sleep his daughter takes care of him immediately, whereas Rip Van Winkle did not take care of his daughter when she was a child. Therefore Rip Van Winkle is knows as happy-go-lucky. In â€Å"the story of Rip Van Winkle† through the actions and words from Rip Van Winkle he shows that he is a character with unbelievable luck, his split personality and his laziness had made him an interesting character.

Analysis of The Tulse Luper Suitcases Trilogy Essay -- Peter Greenaway

History and time are considered to be cultural formations since a History cannot be detached from the culture in which it is produced and received. It is through culture that a historical sense is achieved and in fact, each culture experiences History in a different way leading us to the current perception of History as not being one, but many histories depending on the cultural groups involved. Historians have fought throughout the centuries on whether such thing as â€Å"objective History† can exist but in the end, even materialist historians will admit that the reality of History is so complicated and contradictory that no single version could possibly represent the truth; consequently different interpretations are inevitable. This is where Peter Greenaway comes in with his trilogy The Tulse Luper Suitcases in which the eponymous suitcases (of which there are 92) contain the collected memories of Tulse Luper, a manic collector of forgotten records and other evidence of the twentieth century. Devised as a trilogy, Peter Greenaway’s multimedia project concentrates on a period between 1928, the year in which the element uranium was discovered in Colorado, and 1989, the year when the Berlin wall came down and the Cold War came to an end. The two central events of the past one hundred years – the confrontation between East and West and the threat of atomic warfare – have left their mark on writer and realizer of projects Tulse Luper, who spends most of his time detained in some form of prison or another. Luper’s role is hard to define: his many encounters, the injuries he has sustained and fragments of sentences that surface from his memory, all combine to produce a complex weave or structure that includes both various periods in time a... ...aware of in his film, through the opposition between the reality of History on the one hand and the fiction of the Luper project on the other, the truth and stability of what really happened and the playful construction presented by Greenaway, the unincarnated omniscience of reality and the awkward contextualization provided by the Luper point-of-view. According to Greenaway, History does not exist in an absolute, unmediated form, but will always be filtered through the perceptions, interpretations and values of subjects as experiencers, filing instances, historians and readers. The event "as it was" thus can never be recovered in an absolute form and that is why â€Å"there is no such thing as History, [but] only historians† whose collective work only, can serve as a somewhat effective record of History.

The Representation of Masculinity in George Eliot’s ‘Silas Marner’

Silas Marner, A Tale of Two Cities. Essay subject: Silas Marner and maleness 1. – Introduction. This essay is about the building and representation of Silas’s maleness ( including some inquiries proposed in the essay subjects on the practical campus that I found interesting ) . I saw things that can do him look more like a adult female but it is non necessary or required to understand this affair in this manner ; I wanted to happen his good-will non as a failing or a adult female issue but as strong manner of demoing tenderness, because I think there is nil stronger that absolute tenderness and nil more stamp that true strength and I see Silas as a really strong individual – composure but strong. The chief subjects here are his isolation, the gender issue, and eventually how feasible or non-viable his manhood is. In the decision I have included some facets more related to Silas’s life. 2. – Silas’s isolation. About his household, it is merely mentioned in the book that he had a female parent and a small sister, both of them named Hepziba, but his sister was called Eppie, which is why he chooses this name for his adoptive girl. His period of isolation starts in Raveloe when he sends their neighbors off with a turning annoyance ( It started when he helped Sally Oats and after that he became person like the official herbal physician of the vicinity ) . From this minute on he spends his yearss working 16 hours a twenty-four hours and contemplating his gold every dark. He is like a anchorite merely concentrated on gaining money. It wasn’t ever like this. At first when he lived in Lantern Yard he was a sociable adult male who interacted with society, he lived a normal life, and was engaged to get married a adult female named Sarah. He besides had a friend, William Dane, and so both of them betrayed him. But at the minute he is an entity separated from the community, – self-sufficient. 3. – Silas in gender footings. What’s incorrect with Silas before the loss of his gold? This point has a connexion with Silas’s isolation as discussed in the old subdivision. He is considered an castaway by the community: at foremost he is described like a â€Å"spider† or a â€Å"spinning-insect† . This has no relationship with the issue of maleness but instead with the issue of humanity: through this description he is portrayed more as an insect than as a adult male, – this is a manner of dehumanising him. When he loses his gold he is obligated to travel and pass on it to the governments. At first, when he arrived, people thought he was a shade, is of import to advert that Silas’s visual aspect is a spot unusual, he shows a physical impairment, he has marks of aging and unwellness, and he is described as an old adult male. And as I commented antecedently, he was an stray anchorite obsessed with his gold, look up toing it every dark, and his universe is reduced to his work and his coins. This is the debatable that is established befor e the loss of his gold. – Why non allow him weave and bask his money until he’s excessively old to maintain on weaving? – Why pull this out for so long? In my sentiment, the thought I get from the book is that Silas earned more money on Raveloe than in Lantern Yard ( where he has to pay some money to the church ) and he saw this fact, after which began his compulsion and he lived like this for 16 old ages. And he could hold lived on this manner until his decease but when Eppie came to his place it brought about a alteration in his whole life. I think he draws it out because work and money becomes the Centre of his life ; he lives merely for work and to look up to his gold. 4. – Silas’s maleness in a feasible manner. – Is this one sort of maleness or maleness in general? I think this is one sort of maleness because non all work forces have a state of affairs like Silas’s. Other male characters like the Cass brothers have a masculine function and are seen more like a work forces than Silas is. I see this as a feasible manner because I believe that Silas is wholly masculine even if there are things that show him with a deficiency of manhood. I’ll start with the â€Å"negative† points against his maleness. Get downing with his business, it was established that whirling and weaving had a gender division and that it was a female undertaking, in this point, I don’t think that this occupation defines his maleness, – he is a adult male and here the lone of import thing is that he has an business and he is working to back up himself. In add-on, Silas’s behavior is interesting on a mental degree. I see his capacity for self-denial a masculine accomplishment excessively ; it is a feature of a great adult male. For illustration, when William and Sarah betrayed him, he knew it and acted softly and did nil ; merely travel on with his life. Another manner of demoing self-denial is in his isolation, and his high grade of reason. He has been injured, accused of robbery, abandoned by his fiancee, rejected by the community merely because he did non desire to be an ONG and after that he has the reason to do a determination. After that it is normal that he wishes to be entirely working and gaining money. And eventually, even if he is portrayed as an insect or a weak adult male, in an effort to decrease his maleness the capacity that he finds for being a male parent, a female parent and a defender of small Eppie is extremely admirable without inquiry. By holding adequate cognition for autonomy, to me he is a unafraid adult male who knows what he wants and merely acquires and achieves it. In add-on I’d like to state that doing his place more comfy for the kid, adorning it, – a â€Å"nest† for her- , is the sweetness manner in which a adult male can demo how capable of being stamp is. Fixing his place for Eppie’s demands is something to be expected from a really masculine adult male. In his ain manner, he did what every adult male must make: work, back up a family, have a household and protect his household ( harmonizing to this nineteenth-century period, – presents it is different, as adult females can make this alone excessively ) . And he did it ; h e is wholly a adult male. 5. – Decision. We have seen Silas’s journey, – non a physical journey, but throughout his life. At first he has a normal life, he subsequently becomes an castaway obsessed with gold and after Eppie’s reaching he undergoes a sort of societal rehabilitation into an ordinary member of the community. After run intoing the kid he wholly changes his function inside the vicinity, every topographic point or place he visits for work he must sit and speak with people about the kid. Through her his life alterations and he becomes another adult male. We see his domestic, societal and paternal side and how he achieves the function of maleness in the 19th century ; non precisely as it was imposed, but by in his ain manner. Through the acceptance of the kid we see Silas carry throughing both – a male and female function, because he is wholly devoted to the small miss, and how he passes from a wholly stray life to happening significance in all the things around him. In Eppie he finds a ground to populate, a household that was denied him ( his female parent and small sister died, and we do non cognize about his male parent ) , the comfort of being love unfeignedly by person, of being needed, and of being a male parent, and there is no minute, in my sentiment, where his maleness could be misunderstood. We can besides see, through the acceptance the morality and duty that Silas is prepared to presume paternity, which is excessively a masculine feature, it is necessary to stress that the responsibilities that Silas accepts are those that Godfrey Cass, Eppie’s biological male parent has no morality or duty to presume. Throughout the book there is no minute when I feel Silas is non accomplishing the function of a adult male. I merely felt esteem even if didn’t have obvious masculine features such as physical visual aspect of a strong and wealth adult male like Godfrey Cass. Even when he grows old he still has this powerful visual aspect that Silas, in contrast does non. Godfrey does non hold to work because he was inherited from his male parent and Silas worked as an independent adult male. This was a paradigm of industrial manhood and a new ideal for work forces. To complete, another point that I found interesting is that Silas didn’t want to accomplish the ideals of the perfect adult male harmonizing to society but he ended up making so, though his virtuous nature, his generous bosom, his bravery. By following the kid he was non merely taking on a duty but he was taking on the duty of another adult male. Bibliography.Silas Marner, A Tale of Two Cities. George Eliot.Silas Marner in Wikipedia the free encyclopedia.Silas Marner survey usher and literature.Virtual Campus.Class hand-outs.

The Yellow Wall Paper By Charlotte Gilman - 1518 Words

The late nineteenth century was a progressive era filled with enthusiastic ideas for a brighter and diverse future. Also, it was a tremendous change in Literature showing more tendencies toward liberty and realism. Literature was a privilege mostly representing a man’s world with virile words, thoughts and manly conclusions. A few women’s names appeared in iteracy showing a steady determination to raise their voices against men’s dominancy. Charlotte (Anna) Perkins (Stetson) Gilman is certainly the most noticeable name in American Literature in late nineteenth century. In her remarkable writing, she uses symbolisms as a dominant instrument for fighting inequality and oppression in men’s world. The Yellow Wall-Paper as her most celebrated and intrigue piece of work, represents a spectrum of symbols that address the general concerns about a woman’s role in the nineteenth century society, particularly within the realms of marriage, maternity and domestic life. In this short story, Charlotte Gilman wisely and pragmatically tries to raise a voice against patriarchy and men’s dominancy. Moreover, she pointed at inadequate and unhuman medical treatments for women, particularly for those with mental issues. It has been noted in Critical Essays on Charlotte Perkins Gilman: â€Å"Ironically, Gilman’s narrator ultimately proves the dangerous consequences of her Rest Cure by remaining entrapped within the sanctity of the home. Gilman concludes that had she herself followed Mitchell’sShow MoreRelatedThe Yellow Wall Paper By Charlotte Gilman1463 Words   |  6 Pagesinferior being and is treated accordingly. They are perceived as lacking essential character istics possessed by the group. For an example, Charlotte Gilman’s short story â€Å"The Yellow Wall-Paper† portrays a woman narrator as being the Other. The gender division, an important component of the late nineteenth-century society, is exemplified in â€Å"The Yellow Wall-Paper† much more significantly than in the typical â€Å"American† literary work. It attempts to shed light on the fierce alter egos and divided selvesRead MoreThe Yellow Wall Paper By Charlotte Gilman1139 Words   |  5 PagesThe story â€Å"The Yellow Wall-Paper† written by Charlotte Gilman .It brings to light how much the narrator hates wallpaper and is a significant symbol portrayal of awful state. The yellow wallpaper can have a representation of many conditions and ideas, among them, the mental state of the narrator. The paper is going to survey what the yellow wallpaper represents and notice how it is being depicted over the progression of the story. In addition, it w ill be explored why the yellow paper is likened toRead MoreThe Yellow Wall Paper By Charlotte Perkins Gilman873 Words   |  4 PagesEarly Feminist Writing In the short story The Yellow Wall-Paper, Charlotte Perkins Gilman reflects on the social inequalities and injustices held against women in the late 1800’s. Gilman gives light to a very common practice of doctors diagnosing women with â€Å"nervous† conditions and essentially telling them to not do anything that doesn’t involve the domestic duties of women. The story gives insight on how women would have felt from the despotism that men of the time were showing towards them, thisRead MoreThe Yellow Wall Paper By Charlotte Perkins Gilman985 Words   |  4 Pages There are two similar stories that describe two particular women in a psychological condition one of the stories is called â€Å"The Yellow Wall-Paper†, written by Charlotte Perkins Gilman’s and the other written by William Faulkner named â€Å"A Rose for Emily†. Both authors mention how both Jane (Yellow Wall-Paper) and Miss Emily (A Rose for Emily)are being oppressed by their husbands because the typical tradition forces their wife’s to stay home while they go to work. In the early eighteen and nineteenRead MoreYellow Wall Paper by Charlotte Perkins Gilman853 Words   |  3 Pagesbeen perceived equally. In many places women are considered as a second citizen. Although inequality among men and women has decreased tremendously in our society, it’s still an issue in some part of the world. The short story â€Å"Yellow wall paper† by Charlotte Perkins Gilman reveals gender inequality. It narrates about a newly married woman who is trying t o get away from a trap that is restricting her freedom. Throughout the book the narrator is suffering within herself but she has a hard time figuringRead MoreThe Yellow Wall Paper By Charlotte Perkins Gilman Essay1471 Words   |  6 Pageshusband and family. This obedience that the speaker has for her husband, John, in Charlotte Perkins Gilman’s short story â€Å"The Yellow Wall-Paper† undermined the woman’s mental health, refusing her the ability to express and speak for herself. The speaker’s diagnosis and treatment of her â€Å"nervous condition† was completely in her husband’s control, taking away her independence as a person. It becomes clear that Gilman is writing this short story as a response to the patriarchal structure of the societyRead MoreThe Yellow Wall Paper By Charlotte Perkins Gilman951 Words   |  4 PagesThe unnamed narrator, who is never fully introduced, narrates the story of â€Å"The Yellow Wall-Paper†, written by Charlotte Perkins Gilman, in the form of a diary/journal. Confined in a mansion to treat her mental illness of depression the narrator becomes obsessed with the ugly yellow wallpaper that covers the walls of her room. Ultimately, I presume that the wallpaper itself represents her relationship that she has with her husband, while the women behind the wallpaper represents herself; which goRead MoreThe Yellow Wall Paper By Charlotte Perkins Gilman1353 Words   |  6 Pages In Charlotte Perkins Gilman’s story, â€Å"The Yellow Wall-Paper,† which is set in the 19th century, the narrator suffers from what is now identified as Postpartum depression, after the birth of her child. The narrator’s husband, John, who is a doctor, suggest that she gets some rest, and places her in a nursery with walls that contain yellow wallpaper. Over the course of the story, the narrator’s condition progresses and she begins to develop paranoia about a woman who is trapped in the yellow wallpaperRead MoreThe Yellow Wall Paper By Charlotte Perkins Gilman819 Words   |  4 Pages In the short story â€Å"The Yellow Wall-Paper† the author Charlotte Perkins Gilman displays the central idea that no one can really know how it feels to be trapped in a way, but it can quickly happen to anyone. The story would be seen through a first person narrator point of view through the narrator whose name is never actually stated in the story other than in a quote at the end of the story where she says â€Å" I’ve got out at last despite you and Jane†, it is believed that Jane is the narrator. Jane’sRead MoreThe Yellow Wall Paper By Charlotte Perkins Gilman1107 Words   |  5 PagesIn January of 1892, author Charlotte Perkins Gilman published her short story, â€Å"The Yellow Wall-paper† in The New England Magazine. Gilman’s work illustrates the public perception of woman’s health in the 19th century and is considered to be an important part of early American feminist literature. During the 19th century, women were confined t o the idea of the â€Å"ideal† woman and the â€Å"domestic sphere.† According to Barbara Welter, in her 1966 paper entitled â€Å"The Cult of True Womanhood: 1820-1860,†